Zombies = Race, Gender, Politics, and Beyoncé

Lemonade. 

So, on the last day of class this semester, I brought snacks to celebrate with my students. Some chocolate cake, spicy Doritos, and I always like a little bit of lemonade. I figure it couldn't hurt. I set it all on the table at the front of the room, along with a display of books we'd sampled in our syllabus, and some new ones I wanted to encourage students to pick up. 

When it came time to pass around the snacks, my students asked me if had brought the lemonade on purpose. "Uh, no, not really, I just like it." And they were surprised, because all they could think about was Beyoncé's new release. They asked if they could play the album while we circulated thank-you cards to write. "Sure, why not?" 

Alex and Eojin present their TimelineJS of *Engendering Zombie Fiction*, their segment of our exhibit now available online.

Samples from our course syllabus: From *The Walking Dead* to *European Thought in the Eighteenth Century*.

The single Hold Up begins playing across our projector screen, and I begin thinking about how themes in the song relate to key aspects of our seminar on Languages of Fear, Racism, and Zombies. This semester, we had spent time interrogating the reasons for our fears of writing, of others, and of being controlled by "The Man." So some of the words coming out of Beyoncé's mouth were not so far off from conversations we'd had throughout the semester about the concomitant role of discourse in controlling bodies and perpetuating fear of the Other. But my students were already aware of this. After all, two had incorporated discussion of Beyoncé into their final project as part of [ZOMBIES REIMAGINED], our collaborative digital exhibit. This blog post introduces our exhibit and explains how we pulled it all together.​

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